In Conversation with Dessane Lopez Cassell and Joiri Minaya
Jul
29
5:30 PM17:30

In Conversation with Dessane Lopez Cassell and Joiri Minaya

Dessane Lopez Cassell is a curator, writer, and film programmer based in New York. A former US Fulbright fellow, she has held curatorial positions at the Studio Museum in Harlem, The Museum of Modern Art, and the Allen Memorial Art Museum. Cassell has organized curatorial projects and screenings for Flaherty NYC, Brooklyn Academy of Music (BAM), MoMA Film, and the Allen. Her writing has been published in catalogues issued by the Whitney Museum of American Art, MoMA, the Studio Museum in Harlem, and the BlackStar Film Festival, and elsewhere. Cassell’s research interests include experimental film, contemporary practices that draw upon the archival, and examinations of race, gender, and representation. Cassell is chair of the experimental film subcommittee for BlackStar Film Festival in Philadelphia, and served as a 2019 Advisory Committee member at UnionDocs — a center for documentary arts in Brooklyn. She has also produced podcast and radio projects for Bay FM and Creative X (both South Africa), and Roskilde Festival (Denmark). Cassell currently serves as Editor of Reviews at Hyperallergic.

Joiri Minaya (1990) is a Dominican-United Statesian multi-disciplinary artist whose recent works focus on destabilizing historic and contemporary representations of an imagined tropical identity. Minaya attended the Escuela Nacional de Artes Visuales in Santo Domingo (2009), Altos de Chavón School of Design (2011) and Parsons the New School for Design (2013). She has participated in residencies at Skowhegan School of Painting and Sculpture, Guttenberg Arts, Smack Mellon, the Bronx Museum’s AIM Program and the NYFA Mentoring Program for Immigrant Artists, Red Bull House of Art, the Lower East Side Printshop and Art Omi. She has been awarded a Socrates Sculpture Park Emerging Artist Fellowship as well as grants by Artadia, the Joan Mitchell Foundation, the Rema Hort Mann Foundation and the Nancy Graves Foundation. Minaya’s work is in the collection of the Museo de Arte Moderno and the Centro León Jiménes in the Dominican Republic.

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Online Premier and Conversation: The Great Acceleration by Victoria Keddie
Jul
15
7:00 PM19:00

Online Premier and Conversation: The Great Acceleration by Victoria Keddie

TRT 13 min; color
Directed, Sound Design, and Produced by: Victoria Keddie
This work looks into the media ecology of the late Anthropocene with a focus on technological systems of looking, paired with human ways of seeing, memory, and neurological response.

Victoria Keddie (b.1980) is an artist working in varying media and broadcast. For over a decade, Keddie has been the Co-Director of E.S.P. TV, a 501(C)3 nomadic TV studio, and episodic cable access serial, that hybridizes technologies to realize synthetic environments and deconstruct the televisual for live performance. For over three years, the Co-Founder and Director of Poet Transmit, a project developed to explore the connections between poetry, transmission, and performance. Keddie teaches Advanced Televisual Broadcast and has written on pioneering/contemporary artists using televisual language within their work. She has lectured extensively as a guest artist exploring topics of polymedia, immersive worlds, and in identifying broadcast as a medium., Keddie has been an invited resident artist at the Storefront for Art and Architecture (New York/US); Recess Gallery (New York/US); AZ Wagon Station Encampment (California/US); Signal Culture (New York/ US); Pioneer Works (New York/ US); WaveFarm (New York/ US); and Yaddo Artist Residency(New York/ US); Saari Fellow with The Kone Foundation (Mynämäki, Finland), and The Drawing Center from 2018-2020 (New York/ US). Some projects explored on these particular residencies involved the building of a physical studio environment to produce and document live performance; the re-appropriation of a retail storefront into a simulated environment for free exchange; immersive mapping and sounding space debris, and generating musical responses to brain activity in unconscious states.

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Performance: Stefa* and Tizzi
Nov
9
8:00 PM20:00

Performance: Stefa* and Tizzi

  • Tulsa Artist Fellowship Archer Studios (map)
  • Google Calendar ICS

We hope you will join us for a special performance by STEFA* and TIZZI
(This performance is FREE and OPEN TO THE PUBLIC)

Tizzi is a multifaceted artist from the North side of Tulsa, OK, home of Black Wall Street. Tizzi (no y) feels vibrant and full when creating art which fuels her advocacy for youth, mental health, and criminal justice in her community. Her passion for rebirth and healing flows through her body, lyrics, and visuals.

STEFA* is a vocalist and performer from Queens, NY. After studying euro-centric classical music for 20 years, their current practice has them creating sonic and visual work around their journey of decolonization and personal revolution. Pairing their divergent influences as a way of reclaiming their existence and histories, STEFA* amalgamates choral minimalism, punk, and experimental pop, to better understand their multi-dimensional identities. Their solo work has led them to perform at Brooklyn Museum, Museo Del Barrio, National Sawdust, Rough Trade and more. Their debut EP "Sepalina" was released on Figure & Ground Records. You can find more about their work and ways to support them at www.stefalives.com.

With the belief that arts are critical to the advancement of cultural citizenship, Tulsa Artist Fellowship supports both local and national artists while enriching the Tulsa community. Tulsa Artist Fellowship is a George Kaiser Family Foundation initiative.

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Cinetelechy II
Nov
8
7:00 PM19:00

Cinetelechy II

CINETELECHY is an ongoing film series curated by Atomic Culture with the support of the Tulsa Artist Fellowship. The first series is co-curated by Blackhorse Lowe. CINETELECHY, observes a distinct type of filmmaker, their motivation to re-examine and re-imagine narratives, the need for self-determination; having both a personal vision and the ability to actualize that vision from within. Each night will screen a feature length film accompanied by film trailers, shorts, and video art highlighting indigenous, local, and emerging filmmakers.

This screening will be free and open to the public. Youth 17 & under should be accompanied by an adult. You must have an FM Radio to hear the sound.

We welcome people with disabilities. For questions about accessibility or to request an accommodation, please email caroline@tulsaartistfellowship.org or call 918.591.2461. Requests should be made at least one week prior to the event.

CURRENCY | 2:23 min loop | Dir. Crystal Z. Campbell | 2019
Performer: ANGELA RENEE DAVIS
Videographer: DAVID WAYNE REED

UNA CASITA | 3:48 min | STEFA*
from her debut EP Sepalina
Dir. Tatiana del Fuego
** PERFORMANCE BY STEFA, NOVEMBER 9TH, 8PM AT
TULSA ARTIST FELLOWSHIP ARCHER BUILDING ROOF **

MY SOUL REMAINER | 5:40 min | Laura Ortman
Dir. Nanobah Becker
Featuring Jock Soto

EMPTY METAL | 83 min | Dir. Adam Khalil & Bayley Sweitzer
*Film will be presented by Adam Khalil

EMPTY METAL reveals a political fantasy, an alternative reality whose characters teeter on the dull knife edge that is contemporary American politics, but they refuse to fall right or left. Instead, they lash out from the soul, and under the radar, in an attempt to achieve what their mainstream predecessors have yet to accomplish.

EMPTY METAL is a war movie without a war, a nightmare you are ashamed to admit was actually a dream.


With the belief that arts are critical to the advancement of cultural citizenship, Tulsa Artist Fellowship supports both local and national artists while enriching the Tulsa community. Tulsa Artist Fellowship is a George Kaiser Family Foundation initiative.

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Shapeshifting: towards being seen by Tamara Santibañez
Sep
6
6:00 PM18:00

Shapeshifting: towards being seen by Tamara Santibañez

During her time in Tulsa, Tamara will begin an ongoing oral history initiative that works with covering or re-working tattoos on individuals exiting the prison system. "Shapeshifting: towards being seen" opens on September 6th, 2019. The exhibition will include documentation of the tattoos both before and after, as well as a recorded oral history component with a focus on investigating how experiences with incarceration shift perspectives on tattoos.

Tattooing becoming mainstream in recent years has relied heavily on distancing itself from stereotypical associations with criminality. The last people to benefit from this mainstreaming are those who do have a history of incarceration or have been impacted by the criminal justice system. Tattoos that are gang related or that are perceived by others as poor quality can be a barrier to employment and other systematic and social engagement. By researching this site of overlap, I hope to push back against the respectability politics present in the tattoo industry and to address the stigma of tattoos (most often wrongfully) characterized as “criminal.”

Through partnering with Ritual and reentry services organizations local to the area, I hope to collect narratives and visuals that create a more complete and nuanced picture of tattooing’s potential for personal empowerment, centering the experiences of the formerly incarcerated. In relation to carceral spaces specifically, this might mean tattooing being a vehicle to assert an authority over one’s body that cannot be taken away by the state, having a memento that maintains a connective thread to a life outside prison walls, or being able to maintain a sense of individuality in an environment that aims to strip that away.

Thanks to the generous support of Ritual Electric Tattoos, Tulsa Artist Fellowship, and Resonance Tulsa.

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Infinite Spirit Social Club: Guest Host, Tamara Santibanez
Aug
24
7:00 PM19:00

Infinite Spirit Social Club: Guest Host, Tamara Santibanez

Please join us for food, music, and a night of guided visualization drawing and conversation prompted by Tamara Santibanez.

Live music by IMGONNADIE (https://imgonnadieok.bandcamp.com/)


This event is free, all ages welcome. RSVP is required.

Looking towards our infinite spirit, those that inspire and keep the fire burning bright -- Infinite Spirit Social Club is an open monthly salon aimed to nurture and sustain creativity by providing a space for Tulsa creatives and community members to meet, socialize, discuss their work, and exchange ideas. We aim to build a sustainable framework for informal learning and critical response by engaging with the public through food, art and discursive action.

Tamara Santibañez (b. 1987) is a multimedia artist living and working in Brooklyn. Her work is rooted in subcultural semiotics, exploring the meanings we assign to materials and accessories. Enlisting inanimate objects as stand-ins for human figures and relationships, Santibañez emphasizes the undulating exchange between power and vulnerability, otherness and assimilation, generational expectations and individual capability. She is the founding editor of New York-based independent publishing house Discipline Press and editor of the 2018 anthology Sexiness: Rituals, Revisions, and Reconstructions(Sang Bleu/Discipline Press). Santibañez has a long history of community work, having taught as a visual arts instructor at Rikers Island and with Rehabilitation Through the Arts at Bedford Hills Correctional, as well as having trained with the New York City Anti-Violence Project’s crisis hotline cohort. She brings her experience in community organizing to her creative and tattooing work, visualizing tattooing as a transformative practice, a space for healing, and as a vehicle for resistance to mechanisms of oppression.

Atomic Culture is supported by Tulsa Artist Fellowship.
With the belief that arts are critical to the advancement of cultural citizenship, Tulsa Artist Fellowship supports both local and national artists while enriching the Tulsa community. Tulsa Artist Fellowship is a George Kaiser Family Foundation initiative.

This event is open but RSVP is required. To attend and receive more information please RSVP to Atomicculturenm@gmail.com

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Red Culebra Performance
Jun
7
7:00 PM19:00

Red Culebra Performance

5 Cycles + 1

Accelerations across all vectors of society, warfare, and capitalism evoke a byproduct ritual of sexual and sonic violence that lays unresponsive to new age fetishes, magical realism, and the parochial moralities of American politics. This Post-Mexican ceremony is monotony sustained by pragmatism and our baser instincts. 5 Cycles + 1 is a public gathering for acknowledging human ferocity — a self-implicating metaphor for our enduring and determined appetite.

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TRADING SHADOWS
Mar
30
7:30 PM19:30

TRADING SHADOWS

//TRADING SHADOWS//

 

Kagegoto//影ごと is a performance duo by Chikako Bando and Leyna Marika Papach. Over the past decade, they have created a number of original works exploring the nuances between sound and movement. In their approach, all expressions coming from the body are treated as equal gestures, unfolding in poetic time.

 

On this special evening titled 'Trading Shadows', Kagegoto will perform two pieces; ‘In Water’ (2017) and ‘What Stays Shall Stay’ (2007) with live video projections by Victoria Keddie and guest performances by artists, Alex Cuff and SUGARLIFE.

 

//Info//

Friday, March 30th, 7:30 pm

Hunter College

Black Box HN 543

5th floor Hunter North Building

68th and Lexington (6 train Hunter College)

Admission is *Free* (seating on floor)

Facebook event page: https://www.facebook.com/events/2017079008556182/

 

Screen+Shot+2018-04-04+at+5.40.29+PM.png
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Closing Party
Mar
18
6:00 PM18:00

Closing Party

Join us and some of the artists in the exhibition in celebrating the closing of our exhibition and residency at Loisaida Center. 

Atomic Culture is the joint cultural productions between Matthew Galindo and Malinda Galindo. Whose mission is to become a temporary geopolitical idea-space where people from all backgrounds are encouraged to learn, create, and experience art in it’s myriad forms.

Loisaida’s artistic residency provides a home to develop and explore cultural work that affirms a Latinx provocative spirit to impact local and broader cultural thinking through learning as it promotes diversity, equity, solidarity and community building that strengthens Loisaida and connects it, beyond its borders and limitations, to the broader global community.

Atomic Culture’s dynamic residency projects will encourage active participation by creating art-focused social and cultural programs accessible to everyone. Their opening exhibit titled; Futura Ahora // Future Now will map examples of Latinx arts and cultural practices from Southwest and New York based artists that integrate historical events and traditions to examine how futurism can be used as a decolonizing tool to reclaim land, natural resources, and ways of living that occupying forces have sought to wipe out.

Atomic Culture aims to improve the outlook of our cities by creating art-focused social and cultural programs accessible to everyone, while providing an experiential learning center where artists can create and interact with the next generation of creators and the community at large.

Exhibition:

(1) Future Now // Futura Ahora calls to attention the movement of artists reclaiming and reconfiguring their cultural disposition and narratives with society at large. Through sound, installation, literature, and visual arts each artist presents compelling possibilities for the future by embracing and reclaiming their histories, traditions, and present-day experiences.

http://hyperallergic.com/357236/future-now-futura-ahora-loisaida-center/

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ᗰʊʝɛʀ Gǟṭɦɛʀɨռg✨🌛 with Celeste Casillas of Nativa Remedies
Mar
12
3:00 PM15:00

ᗰʊʝɛʀ Gǟṭɦɛʀɨռg✨🌛 with Celeste Casillas of Nativa Remedies

The culture of women gatherings has been going on for eons. Being part of a community of women and sharing in our ancestral knowledge makes us happier, healthier, and more balanced. 

Join Celeste Casillas of Nativa Remedies and other women seeking to connect with their feminine wisdom, honor their mother energy, and share sacred space.

We will discuss:

-Using plant medicines to heal our bodies, balance our hormones, and ease stress and anxiety.

-Connecting to the lunar calendar to understand the phases of our own cycle. 

-Ritualizing our life to create balance

-Holistic beauty remedies

The gathering will evolve based on the interest of the group and sharing is optional.

Bring your amiga, sister, mother, a notebook and pen, a yoga mat or thick blanket.

 

Celeste Casillas of Nativa Remedies is a Chicana raised in Los Angeles. 
From an early age she connected to plant medicines in her family garden where she participated in growing food and traditional healing herbs and spices. 
She studied at The Academy of Healing Nutrition in NYC and is a practicing Nutritional Healing Coach. 
In 2013 she spent 8 months in Puebla, Mexico where she learned more about using healing foods and herbs in daily cooking. She believes passionately in Food As Medicine and in re-indigenizing our diets. She continues to study various healing traditions and promotes reconnecting and reclaiming our Ancestral Healing Wisdom for self-healing, creating community and as a tool for decolonization.

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Discussion w/ Guillermo Gomez Pena, Balitronica, and Alex Rivera
Mar
3
6:00 PM18:00

Discussion w/ Guillermo Gomez Pena, Balitronica, and Alex Rivera

  • 205 Hudson Street 2nd FL New York, NY, 10013 United States (map)
  • Google Calendar ICS

Limited Seating Available. CLICK HERE TO RESERVE TICKETS

Press Release
FOR IMMEDIATE RELEASE

Future Now, Futura Ahora
Exhibition Feb. 4, 2017 to March 18, 2017
Performance: Friday, March 3, 2017 6-8PM | 205 Hudson 2nd FL
Students, Free. General Public $25 Suggested Donation

New York City -- Atomic Culture as curatorial artists in residence at Loisaida Center and in conjunction with the Hemispheric Institute of Performance and Politics, Hunter Artist Action Group, and EyeSpeak presents a two-part keynote address on artivist strategies and interventions. The evening will start with "The Future as Sanctuary" by Alex Rivera, followed by a performative talk by Guillermo Gómez-Peña aka El Mad Mex and Balitronica aka The
Phantom Mariachi.

In “The Future as Sanctuary,” Alex Rivera will discuss different approaches to the terrain of ‘the future’ through his science fictions, virtual realities, and drone interventions. The discussion will include clips of Rivera’s work, from the mid 1990s to the present, work that migrates from present-day crises into post-colonial imaginaries.

Guillermo Gómez-Peña and Balitronica from international performance troupe La Pocha Nostra present a performative talk on their artivist strategies for fighting xenophobia, sexism, homophobia and racism both in the art world and larger society. Alongside their candid conversation, they will invoke performance texts, sound art and a photo slide show of recent work.

This presentation is part of an ongoing exhibition and sidency Future Now, Futura Ahora curated by Atomic Culture at the Loisaida Center. Atomic Culture’s dynamic residency Future Now encourages active participation by creating art-focused social and cultural programs accessible to everyone. The exhibit and correlating programming aim to map examples of cultural practices from the Southwest that integrate historical events and traditions to examine how futurism can be used as a decolonizing tool to reclaim land, natural resources, and ways of living that occupying forces have sought to wipe out. Atomic Culture asks how are art practices used as a tool to confront neo-colonialism?

Guillermo Gómez-Peñ is a performance artist, writer, activist, radical pedagogue and director of the performance troupe La Pocha Nostra. Born in Mexico City, he moved to the US in 1978. His performance work and 11 books have contributed to the debates on cultural & gender diversity, border culture and US-Mexico relations. His art work has been presented at over nine hundred venues across the US, Canada, Latin America, Europe, Russia, South Africa and Australia. A MacArthur Fellow, Bessie and American Book Award winner, he is a regular contributor for newspapers and magazines in the US, Mexico, and Europe and a contributing editor to The Drama Review (NYU-MIT). Gómez-Peña is a Senior Fellow in the Hemispheric Institute of Performance and Politics, a Patron for the London-based Live Art Development Agency and in 2012 he was named Samuel Hoi Fellow by USA Artists.

Balitronic is a performance artist, cyborg poet, and queer sex radical raised on the Tijuana/San Diego border. She studied Literature at San Diego State University under the guidance of Harold Jaffe, Edith Frampton, and Sydney Brown. She then relocated to Paris to study American Expat Literature and lived in a 17th century convent with Dominican nuns. Currently living in San Francisco, she recently earned her MFA in Poetry and Queer Theory at Mills College. Since 2013 she has been collaborating with Guillermo Gomez-Pena and La Pocha Nostra and has developed photo-performance projects with Manuel Vason, Herani Hache, RJ Muna, and Marcos Raya. She is currently working on a book titled, “A Brief Conversation With My Psychotherapist” and touring with
Gomez-Pena/La Pocha Nostra.

Alex Rivera s a New York based digital media artist and filmmaker. He was born in 1973 to a native of Peru and a native of New Jersey. Growing up in a bi-cultural channel surfing tract home led him to rethink some assumptions about race, immigration, identity, and the global economy. Over the past fifteen years he’s been making work that illuminates two massive and parallel realities: the globalization of information through the internet, and the globalization of families, and communities, through mass migration.

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Nativa Remedies
Feb
11
4:00 PM16:00

Nativa Remedies

Nativa Remedies by Celeste Casillas: Community workshop, discussing ancient healing techniques is a modern setting. 

Many native cultures throughout the world have used plant medicine, herbs and meditative rituals to provide support, healing, restoration of the body, mind and spirit while creating a sense of community and a connection to the land and our ancestors. While many of us have experienced aspects of these healing traditions as children, most of us have lost the connection to the earth and our ancestral wisdom. In this workshop we will explore various benefits of our herbal allies through participating in meditative space clearing techniques, tasting teas, infusions and tinctures and by discussing our diverse personal experiences with traditional healing techniques. 

We will discuss how plant medicine easily fits into our modern lives and how 'ritualizing' our daily self care brings spiritual balance. Reconnecting with our elders and ancient traditions is an integral part of self awareness and strength. Each participant will be able to create an herbal salve to take with them.

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Border Publics, Cultural Activism and Urban Planning with Ricardo Dominguez, Teddy Cruz, Fonna Forman, and Ed Morales
Feb
9
6:30 PM18:30

Border Publics, Cultural Activism and Urban Planning with Ricardo Dominguez, Teddy Cruz, Fonna Forman, and Ed Morales

This event is co-sponsored and will be live streamed by The Hemispheric Institute of Performance and Politics.

Border Publics, Cultural Activism and Urban Planning
Renowned scholars, artists, cultural activists and critics––Ricardo Dominguez, Teddy Cruz, Fonna Forman and Ed Morales––converge to discuss their distinct yet cross-cultural geopolitical perspectives on the intersections of arts and culture, activism and policy, and forced migration. We will consider how might our cultural activism, advocacy, and participatory planning begin working to create stronger collaborative movements and build solidarity within and beyond our multiple communities? In the face of political uncertainties, we will also considerwhat tactics and strategies work to strengthen cultural equity advocacy, to influence policy and to advance equity principles as part of what should be enshrined in NYC’s cultural plan. A report-back on the discussion will be included as a set of recommendations to the New York City Council’s 10 year Cultural Plan.

Teddy Cruz is a Professor of Public Culture and Urbanization in the Department of Visual Arts at the University of California, San Diego. He is known internationally for his urban research on the Tijuana/San Diego border, advancing border neighborhoods as sites of cultural production from which to rethink urban policy, affordable housing, and public space. Recipient of the Rome Prize in Architecture in 1991, his honors include representing the US in the 2008 Venice Architecture Biennale, the Ford Foundation Visionaries Award in 2011, and the 2013 Architecture Award from the US Academy of Arts and Letters.

Fonna Forman is a Professor of Political Theory and Founding Director of the Center on Global Justice at the University of California, San Diego. A theorist of ethics and public culture, her work focuses on human rights at the urban scale, climate justice in cities, and equitable urban development in the global south. She serves as Vice-Chair of the University of California Climate Solutions Group, and on the Global Citizenship Commission (advising UN policy on human rights).

Cruz & Forman direct the UCSD Cross-Border Initiative, and are principals in Estudio Teddy Cruz + Forman, a research-based political and architectural practice in San Diego. Their work emphasizes urban conflict and informality as sites of intervention for rethinking public policy and civic infrastructure, with a special emphasis on Latin American cities. Their practice convenes knowledges from across the fields of architecture and urbanism, environmental and social practice, political theory and urban policy, visual arts and public culture, and mediates the interface between top-down institutions and the bottom-up intelligence of marginalized communities. From 2012-13 they served as special advisors on Civic and Urban Initiatives for the City of San Diego and led the development of its Civic Innovation Lab. 

Ricardo Dominguez is a co-founder of The Electronic Disturbance Theater (EDT), a group who developed virtual sit-in technologies in solidarity with the Zapatistas communities in Chiapas, Mexico, in 1998. His recent Electronic Disturbance Theater 2.0/b.a.n.g. lab project with Brett Stalbaum, Micha Cardenas, Amy Sara Carroll, and Elle Mehrmand, the Transborder Immigrant Tool (a GPS cell phone safety net tool for crossing the Mexico/US border) was the winner of “Transnational Communities Award” (2008), an award funded by Cultural Contact, Endowment for Culture Mexico–US and handed out by the US Embassy in Mexico. It is on view at the Loisaida, Inc. Center.

Ed Morales is an author and journalist who has written for The Nation, The NewYork Times, Rolling Stone, and the Guardian, among many others. He is a former Village Voice staff writer and Newsday columnist, and author of Living in Spanglish (St. Martins) and The Latin Beat (Da Capo Press), as well as the upcoming Latinx (Verso Press, Fall 2017). He produced and co-directed Whose Barrio? (2009) a documentary about the gentrification of East Harlem, which is currently available from Kanopy. He is currently a lecturer at Columbia University’s Center for the Study of Ethnicity and Race, is a fellow of a new working group studying the Puerto Rico debt crisis at the Center for the Study of Social Difference, and hosts a radio show on WBAI FM, Pacifica Radio.

Moderator: Andrea Gordillo is a Peruvian-American filmmaker, producer, writer, and activist. She holds a BA in International Relations and currently finishing hers masters in Media and Cultural Studies at NYU, focusing on the Lower East Side's cultural history and its role in contemporary place-making and urban planning. At Loisaida Center she documents and archives events and activities, and serves on the steering committee to develop cultural policy recommendations to the New York City Council.

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Opening | Future Now : Futura Ahora
Feb
4
6:00 PM18:00

Opening | Future Now : Futura Ahora

6PM to 8PM

Performance by Cultural Workers w/ Discussion on History of the Agave. Follow by a Tequila and Mezcal tasting.

Future Now // Futura Ahora calls to attention the movement of artists reclaiming and reconfiguring their cultural disposition and narratives with society at large. Through sound, installation, literature, and visual arts each artist presents compelling possibilities for the future by embracing and reclaiming their histories, traditions, and present-day experiences.

During Atomic Culture’s curatorial artist residency at the Loisaida Center. They will bringing together 15 artists native to the southwest United States, Texas, New Mexico, Colorado, Arizona, and California to discuss futurism and geopolitics. Futurism is not just about technology but an act of self preservation and concern toward the creation and dismemberment of invisible borders, pillaging of natural resources, and colonization. Through decolonization and reclamation of traditions, personal culture, land and natural medicine.

Within the exhibition and workshops each artist addresses these issues blending their complex histories with a contemporary perspective creating a new trajectory.

Future Now/Futura Ahora will host multiple workshops on reclaiming use of the land and the natural remedies she provides you, discussions and screenings on chicanx futurism. The exhibition serving as a catalyst to discuss and initiate thinking and being in a time of increased tension and unknown.

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Future Now : Futura Ahora
Feb
4
to Mar 18

Future Now : Futura Ahora

Future Now // Futura Ahora calls to attention the movement of artists reclaiming and reconfiguring their cultural disposition and narratives with society at large. Through sound, installation, literature, and visual arts each artist presents compelling possibilities for the future by embracing and reclaiming their histories, traditions, and present-day experiences.

During Atomic Culture’s curatorial artist residency at the Loisaida Center. They will bringing together 15 artists native to the southwest United States, Texas, New Mexico, Colorado, Arizona, and California to discuss futurism and geopolitics. Futurism is not just about technology but an act of self preservation and concern toward the creation and dismemberment of invisible borders, pillaging of natural resources, and colonization. Through decolonization and reclamation of traditions, personal culture, land and natural medicine.

Within the exhibition and workshops each artist addresses these issues blending their complex histories with a contemporary perspective creating a new trajectory.

Future Now/Futura Ahora will host multiple workshops on reclaiming use of the land and the natural remedies she provides you, discussions and screenings on chicanx futurism. The exhibition serving as a catalyst to discuss and initiate thinking and being in a time of increased tension and unknown.

Workshops:

Opening - February 4, 2017: Cultural Workers will perform followed by a discussion on the history and uses of the Agave. Tequila and Mezcal Tasting.

February 11, 2017: Nativa Remedies by Celeste Casillas: Community workshop on how to use traditional herbs in modern daily life and creating at home remedies influenced by elder and ancestral healing methods and the passing down of stories. Participants will make a salve to take home.

Rauschque workshop: creating small-scale altars from found or assisted objects that talk about cultural memory.

March 2017 TBD: Film Screening, Performance, and Discussion on using Art and Filmmaking to confront neo-colonialism on the US/MEXICO border.

TBD: Mural Workshop with Navajo and Chicana Muralist Nani Chacon

Cognitive mapping: realizing your space in a neighborhood

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#NoDAPL Solidarity Concert
Oct
17
8:00 PM20:00

#NoDAPL Solidarity Concert

Atomic Culture stands in resistance with the Standing Rock Sioux Tribe to defend their sacred lands and water from the Dakota Access Pipeline (DAPL).

October 17th at Casa Mezcal

$10 Suggested door donation

Performances by
STEFA* (soundcloud.com/stefalives)
75 Dollar Bill (https://75dollarbill.bandcamp.com/)
Laura Ortman (https://thedustdiveflash.bandcamp.com/) + Raven Chacon (http://spiderwebsinthesky.com/)
On High (Instagram @onhighofficial)
DJ Young Ancient
Jewelry sold by Barbara Calderón

+ MORE TBA

100% of door proceeds will go to Standing Rock Sioux Land Protectors
20% of Drink sales will benefit Standing Rock Sioux
50% of Jewelry sales will benefit Standing Rock Sioux.

http://indigenousrising.org/about/

Happy Hour drink specials until 9:30PM

About Standing Rock Sioux Tribe & #NoDAPL

"The Standing Rock Sioux Tribe (SRST) has taken a strong stand against the Dakota Access Pipeline (DAPL), a 1,134 ­mile long oil pipeline starting from the Bakken Oil Fields in North Dakota and ending up in refineries in Patoka, Illinois. It is proposed to transport over 570,000 barrels per day.
To date, more than 300 tribes and first nations officially stand with Standing Rock by way of tribal resolutions, letters of support, or tribal delegations joining the camp. There are entire cities and municipalities such as Santa Barbara, Seattle, and Minneapolis/St. Paul supporting them, and they aren't the only ones. There are millions of people the world over standing in solidarity as well. 80,000 people in Ireland rallied recently to say #NoDAPL. 

Dakota Access Pipeline would contribute to 50 million tonnes CO2 per year. This is­ the equivalent of 10 million cars or 15 coal plants. Every one of those tonnes of CO2 is a threat to all people on the planet. We can't all breathe poison air.
The pipeline is a huge risk to prairie, farm lands and critical waterways as well, including the Missouri River. It is a massive pipeline that would transport crude oil. News report after news report continues to come out about oil spills across the continent. It's never a matter of if the pipelines will leak and/or burst, it's a matter of when. Energy Transfer Partners, the owner of Dakota Access LLC, is already responsible for over $9 million in property damage stemming from their dirty operations. Thousands of gallons have already been spilled. We don’t want to be the next statistic and we don’t want our children’s futures threatened by fossil fuels.
They’ve already desecrated burial sites of ancestors, effigies, and rock formations critical to the spiritual, emotional, and psychological well-being of our communities. None of that can ever be brought back. That’s why everyone is here in support, so that no more of these abuses continue and healing can happen. This pipeline is proposed to cross the Missouri River, less than one mile away from our community and less than 500 feet from our border. 18 million people downstream stand to be affected, too. This is Standing Rock's fight but it's not just a native issue.
We have a saying here in Standing Rock: Mni Wiconi. It means "water is life," and it's true. You can't drink oil." - Standing Rock Sioux

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